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Understand media products and the instutions that created them!

Facts about Film:

Legal and ethical constraints for Hot Fuzz

 

Ofcom – Office of Communications:

Will decide whether the film can be screened pre or post the watershed.

Film Certification

Hot Fuzz is awarded its  certification of “15” by the BBFC, British Board of Film Classification, this certification is dependent on themes contained within the film:

Use of Language

Sex

Violence

Use of Drugs

Horror

Level of Nudity

Imitable techniques

 

Issues of representation in Hot Fuzz

 

Look at issues regarding the representation of race, gender and stereotypes in Hot Fuzz using audience models of behaviour theories.

How are people, social groups, institutions and places represented?

How are key characters such as Sergeant Nicholas Angel, PC Danny Butterman, Simon Skinner, PC Doris Thatcher represented - is it positive or negative?

Is the representation of Sandford and the police positive or negative?

 

Title: Hot Fuzz

Year: 2007

Director: Edgar Wright

Duration: 2h1min

Release Date: 14th February 2007

Genre: Action, Drama, Crime & Comedy

As a former London constable, Nicholas Angel (Simon Pegg) finds if difficult to adapt to his new assignment in the sleepy British village of Sandford. Not only does he miss the excitement of the big city, but he also has a well-meaning oaf (Nick Frost) for a partner. However, when a series of grisly accidents rocks Sandford, Nick smells something rotten in the idyllic village.

Quick Facts 

  1. “Here Come the Fuzz” is the song which is played within the movie  by the Jon Spencer Blues Explosion, Wright’s favorite band.

  2. As a teenager, Wright worked at the actual Somerfield that appears in the movie, and Wright’s real-life boss at the supermarket inspired the character of Simon Skinner.

  3. Pegg’s character, Nicholas Angel, was named after the film’s music supervisor Nick Angel, who also worked on Shaun of the Dead and The World’s End.

  4. The distribution of Hot Fuzz: Cinema, DVD's, Retailers, and lastly the Internet

  5. Four different types of Advertisement used for the production of Hot Fuzz was: Interviews with stars, Websites, Store Displays, and film Premiere.

 

 

 

 

 

 

 

 

 

Synopsis:

In this action packet comedy Simon Pegg acts as Nicholas Angel, who is without a doubt the finest constable within London. His arrest record compared to his colleages within the forse undoubtedly surpasses all of the other wokers, Nicholas Angel being the serious, uptight character that he is continues to undergo training to better his skills. Making his colleages within the institution  seem like a mere joke to those within the public, so due to the bad image which his constables begin to receive  he is forcefully transffered to Sandford as a 'promotion', a country village which has the lowest rate of crime in the country - which does not in any means meets Nicholas' standards or image as an uptight character who works to maintain order, this is because he is soon to be left in a town with nothing to meet his interest. Making is career a complete bore.


Sanford just as the constable in London had told him was quiet, too quiet, just as it was advertised. Which soon starts to depress Nick as he comes to terms releasing that all the workers within the office is eat cake. After searching for crimes which he could finially make justice for the law, on his first night on the job within this strangely quiet village he comes across a group of under-age drinkers within the towns local pub. Who he then arrests, however to his surprise is told to release then by Inspector Frank Butterman because there was 'no harm done'. Furthermore, Nick is faced with more than one shocking event when its brought is attention that Danni Butterman, son of Inspector Frank Butterman, one of the drunken people he had arrested is his new partner. Nicholas Angel seems to find the situation as a joke since a fellow officer is setting the wrong example for the locals. Danni Butterman is presented as a carefree, lazy, and laid-back charcacter, the complete opposite of Nick Angel.


Soon after Nick meets his fellow constables who seem to not be interestes at all in investigative police work, the main characters being the smug Andy's, Paddy Cobsidine and Rafe Spall - which makes working in Sanford the more difficult for Nick since no one seems to be taking their jobs seriously. The only people within the town who seem to be taking an interest within the law and order are the Neighbourhood Watch Alliance, which is a group of long-term residents who care deeply about maintaining Sandford's reputation as the nation's best village, other concerns being about the arrival of street performers and other disfuntions within the town.


Throught the first few scenes of the film Danny does nothing but pester Nick, first it was for detials of his career in London. This was mainly because Danny had was interest/fasinated by the action packed adventures which the characters within his favourite movies have taken, for example Bad Boys II and Point Break. Which to Nick's dismay wasn't even remotely accurate, it was all just fiction completely make-believe that shouldn't be advertised for the real word, because it wasn't at all how society worked.
 

The only exciting moments which Nicholas had experienced on the next few days living in the village, was nothing more than a goose chase - more accurately a swan, to be exact, as well as a shoplifter, confiscating the arsenal a local farmer had collected over the years, and a rusty sea mine. He also pulls over for speeding the local solicitor and his much younger girlfriend. The two of them are on their way to perform in their "homage" to Shakespeare, a dreadful updating of Romeo and Juliet. After the performance, the two would-be Thespians are brutally murdered by a dark-cloaked figure with a hatchet. Their bodies are then strewn about in the road where Nick and Danny had pulled them over for speeding and their car wrecked to make their deaths appear to be a gory traffic 'accident'. The other police officers are content with explanation, despite Nick's concerns about the lack of skid marks at the scene, which Simon Skinner had driven through making a supious remark.

 

The next day Nicholas and Danny are tipped off to a possession of illegal weapons outside of the city. They go to the farmhouse with the entire crew - and Saxon. But it's not the dog they need. It seems Saxon's trainer is the only one who can understand the guy in charge of the farm, who shows Sgt. Angel the impressive collection of weapons that he's managed to stash. Nicholas is floored at this very dangerous and highly illegal collection. He, Danny and the rest of the officers haul in the collection. To celebrate, Danny invites Nicholas out to an evening at the local pub, where he encourages Nicholas to order more than just his usual cranberry juice since he is always against drinking during his job, which is to him never ending (no breaks what-so-ever). He obliges and after several pints of lager, they escort local businessman George Merchant - who's had several beers, back to his estate. They then head back to Danny's pad, where Danny invites Nicholas inside. There, he shows Nicholas how to switch off and unveils his incredibly impressive DVD collection. While they're watching Point Break and Bad Boys II, another "accident" is being setup involving George Merchant and his rather posh estate, which the NWA doesn't find keeping in with the villages' rustic asthetic, after his murder the estate is set aflame.

 

Another 'accident' takes place the next day, where they are called onto the scene, the story being that Georage Merchant had died due to the 'accident' covered with an application of bacon and beans. Nicholas not accepting that case scenario believes it was a murder. The next day he and Danny are able to put the pieces together where they soon release that the deaths/murders may be all linked.


The following Saturday it's time for the town fair. Nicholas is unfortunately strapped with working security. Danny wants to see Nick's sharp shooting skills during a game - he does so and wins a cuddly monkey. While a local lottery is being held for some rather nice prizes, Nicholas is greeted by the reporter Tim Messenger. He sees Leslie Tiller telling him something. Messenger tells Nicholas to meet him behind the church at 3:00. While drawing the next name for the lottery - which happens to be Tim Messenger, the church clock strikes 3:00. Nicholas stops what he's doing and quickly runs behind the church - but once again it's too late. It appears that a large part of the church roof has fallen on Messenger and decapitated him. Frank quickly rules it an 'accident' but Nicholas suspects otherwise.


Soon later Nicholas and Danny are left guarding the crime scene while the rest of the department has gone home for the night. The next day Nicholas is furious at the rest of his department - who are still believing that the deaths are accidents. But Frank reassures him otherwise, and while Nicholas is busy putting the pieces together of these horrific crimes, the rest of the department informs him that it's Danny's birthday.


Nick goes to the local flower shop to buy a peace lily for Danny as a birthday present. He is surprised to see the shop's proprietor, renowned for her horticultural skills, leaving town. She tells him that the land she owns was to be bought by the businessman with the assistance of the Thespians. Then, when they were both killed, the reporter informed her that her land was much more valuable than what the businessman offered her, so she has sold her shop to a land developer from the city. She also reveals her connections to Skinner. When Nick briefly goes outside to his car, the dark cloaked figure stabs the woman to death with her garden shears. Nick gives chase but cannot catch up to the villain, who was wounded in the escape. Convinced that Skinner's connection to the property deal and attitude toward those murdered is sufficient evidence against Skinner, Nick takes the police force to confront him. But Skinner has no wound and his store's surveillance tapes establish that he was on the premises all day.

 

Nick is prepared to give up when it occurs to him that instead of a single murderer, several dark-cloaked murderers might be working together. This theory is confirmed when he is attacked in his hotel room by one of Skinner's employees, who is wearing a dark cloak. Nick defeats him and then impersonates him when Skinner radios to see if Nick has been killed. Nick traces Skinner to a castle outside of the village. There he finds the Neighborhood Watch Alliance, clad in the dark cloaks, chanting ritualistically. The NWA reveals that they have all been behind the murders, with their motive simply being civic pride, and had nothing to do with property deal between those who were murdered. Anything that could strip Sandford of its status as the nation's best village is violently opposed: The solicitor and his girlfriend were murdered because their terrible acting brought ill repute to Sandford's theatre company, the businessman was murdered for owning a tacky home, the journalist for poor spelling, and the horticulturalist for even thinking about moving away. Nick tries to arrest them but Frank and Danny appear in support of the NWA. They chase Nick through the grounds of the castle, where he finds the remains of other people the NWA has killed. The NWA surrounds Nick, and Danny steps forward and stabs him. Danny takes Nick's body away in the boot of his car.


At a safe distance, he lets the quite-alive Nick go -- they had faked Nick's death using ketchup packets for blood and Nick's notebook to avoid actual skin penetration. Danny refuses to believe his father and the NWA are responsible for murder and persuades Nick to take his car and return to London. In London, Nick sees a collection of action film videos and, inspired, returns to Sandford to put an end to the NWA. He takes the arsenal from the police evidence room and confronts many of the NWA members in the town square on a white horse creating a western atmosphere due to the music, he staging as well as the tooth-pick of which he is chewing on. They are equally as well armed as he is, and he vanquishes them only through the timely assistance of Danny.


In the local pub (whose owners are also NWA members), Frank and the other constables, in full riot gear, surround Nick and Danny. But Nick is able to persuade the constables that he is in the right. Frustrated, Frank runs away. Nick and the other officers go to the supermarket to apprehend Skinner, but when his employees put up a spirited fight, Skinner is able to escape with Frank. Danny and Nick give pursuit in their police car, and in the process find the runaway swan. Skinner and Frank are forced to abandon their car, and Nick and Danny give chase on foot. Nick and Skinner fight in a scale replica of the village, and Nick wins when Skinner falls and impales his chin on model of the village church, though this doesn't kill him. Frank tries to flee in Nick and Danny's car, but crashes into a tree when the swan attacks him.


Nick's former London superiors arrive in Sandford to congratulate him and ask him to return, as London has become crime ridden in his absence. Nick refuses because he has made such good friends and finally learned to enjoy life in Sandford. However, at the station, the last remaining member of the NWA tries to kill him. Danny takes the full brunt of the gun blast, and in the ensuing chase, the sea mine is detonated, destroying the station house.
 

 No one is killed, and Danny is promoted to Sargent and Nick becomes the Inspector. Danny and Nick continue to patrol the streets of Sandford together with Marcus and Mike from Bad Boys as their role models. Foreshadowing the movies of which they had watched in the previous scenes.

 

"For a synopsis, anyone else who sees or has seen the movie will likely agree with. This level of content may be called the referential content, since it refers directly to things that happen in the plot and possibly to some aspects of the story that are merely implied by the plot." - Quoted by Christopher P. Jacobs. Reasons as to why this quote was selected is because it simply means that those who read the synopsis are then able to relate to what is being stated and see whether or not they agree to what it being stated about the movie Hot Fuzz.

Genre

Conventions/ Genres (Hot Fuzz is a Hybrid): 

 

It challenges them because its mixture for Action, Crime Drama, and Comedy. In addition the movie Hot Fuzz could also be considered as a buddy movie - this is because of the partnership between Angel and Danni. For example at the finishing shots/scenes of Hot Fuzz during the battle they had made a western feel as Sergeant Angel comes into the scene on a White horse, carrying a load of weapons as well as wearing sunglasses which foreshadows the movie collection of which Danni owns e.g. one of the movies being BadBoys2 two cops with glasses. Also within Horror you'd expect it to be the traditional haunted house, creepy, dark figure in the night etc. However, in Hot Fuzz there is also Mystery, within the scenes where the dark figure appears killing its victim we get the feel of Horror, but  with the cops working on the force they all regard it as an 'Accident'.

 

Film genre is an important concept for critics, film-makers and audiences, as well as media theorists. Film genre has both academic and practical applications as films are categorised by genre at every stage of their existence, from the initial approach the screenwriter takes, to where they end up on the shelves of your local store, to how their impact on cultural history is assessed. A lot of formal study has been conducted into the categorisation of film through various paradigms, and into how that categorisation informs our understanding of the film as text. There is also a lot of commercial interest in the way people classify and choose to watch movies — this is very important for the initial marketing of a movie, and for companies like Netflix or LoveFilm, who rely on genre categories to help their customers make their picks. - Quoted by mediaknowall.com

 

Film genres need to be fluid or in other words continuously changing, consisting of a shifting, constantly evolving sets of paradigms, otherwise cinema as a form would stagnate, with film-makers forced to tell the same stories, in the same style, over and over again. Given that there are only seven basic plots, the only way to keep thrilling and surprising audiences is to keep framing those plots in fresh genre combinations. Often these combinations are something of a 'mash-up', the putting together of conflicting genres that might not, initially, seem like a good match.

As horror movies are perennially popular, film-makers might start with a set of horror paradigms to guarantee audience interest, before throwing other tropes into the mix. This gives us genre hybrids like:

  • Horror Romance (e.g. Bride of Chucky or Crimson Peak)

  • Horror  War (e.g. The Objective or R - Point)

  • Horror Historical Drama (e.g. Pride and Prejudice and Zombies)

  • Horror RomCom (e.g. Shaun of the Dead)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Purpose
Style

The types of lighting, scenery, shots and editing, can sometimes be used to help determine a films genre. It is important for those who are watching the film are able to identify it's genre in order to see what differentiate's Edgar Wright's films from other police based films. We are immediately able to identify at the beginning of the movie that Nicholas Angel has an upbeat life, always busy and always on the look out - we as the audience are able to evaluate this because of the fast shot and music used within this scene of the movie. This is done by using a voiceover as Nicholas Angel is speeding towards the main office of the police building. Angel  then gets to Sandford, showing a much boring environment, through longer scenes, with much less do to. Scenes get more exciting and mysterious as the murders start to happen, and we see Angel back in action trying to solve all the murders as tension grows. Furthermore, the writers of the film were inspired by such films, as Bad Boys, due to the 360 pan shots used - a technique used to show the close relationship between the characters' in Bad Boys which Wright and Pegg purposefully used for Angel and Butterman's buddy-relationship.

 

"Invisible fictions of the audience which allow the institutions to get a sense of who they must enter into relations with". - Quoted by Theorist Hartley. Reason as to why this quote was selected was because in simple words it suggests that it is important when adveristing their film that they know their audience. 

 "Looking at the context of the name, the term Hot-Fuzz links the Hot which means exciting action packed with Fuzz which is a British term for police. The purpose of this film is that Edgar Wright wanted to create a cop film. He said "there isn't really any tradition of cop films in the UK... We felt that every other country in the world had its own tradition of great cop action films and we had none."[1] He also wanted to create a title that had very little meaning.

During interviews, Simon Pegg stated that both him and Edgar Wright were from the West Country, so of course it just seemed like the perfect and logical thing to do was to take those ideas, genres and clichés back to their beginning to where they grew up. " This information is quoted from the website Wikipedia.

 

Furthermore, the purpose behind the production Hot Fuzz is to entertain as well as create more awareness of Edgar Wright's movies - this is also so that he can grab the attention of the public with  his hybrid movies. The movie hot fuzz was also made to produce more financial income within the organization Working Title.

 

"In the online age, it is getting harder to conceive a media audience as a stable, identifiable group. Many argue that an audience is just a hypothetical group of people imagined for the sole purpose having a target for a media product", Quoted by Julian McDougall. Reason as to why this quote was selcted is because this helps support the point that when creating th film Hot Fuzz Edgar Wright and Simon Pegg didn't necessarly need an target market before they started shooting, this is mainly because they may have found it easier to do it after the filming was done - this is because due to what had been produced it would be easier for them to idenitify who would most likely watch and purchase the film, whether it was to buy the DVD or watch in Cinema. 

 

 

 

 

 

 

 

 

 

Form

 

Hot Fuzz is a Working Title Films production that takes the form of a two hour feature length film, released in cinemas throughout the UK - 14 February 2007 - and the US - 20 April 2007. This Action/Comedy written by Edgar Wright and Simon Pegg is part of the 'Cornetto Trilogy', a series of Edgar's films, 'Shaun of the Dead' [2004], 'Hot Fuzz' [2007], and 'World's End' [2013]. The name given was due to the scenes added in each film. Wikipedia.

 

“Films are subjective — what you like, what you don’t like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it’s the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they’ve done, I want that effort there — I want that sincerity. And when you don’t feel it, that’s the only time I feel like I’m wasting my time at the movies.” — Quoted by Christopher Nolan. Reasons as to why this quote was selected is because it helps support why it is important that the form of the film is successful when meeting their target markets needs, the sentence "I want that effort there — I want that sincerity. And when you don’t feel it, that’s the only time I feel like I’m wasting my time at the movies.” Helps prove this because, if an director fails to do this, it makes those watching the movie relucant to watch another one of Edgar Wrights movies - this is because his movies have now become unreliable to them and a waste of time, as well as money.

Meaning 

"A review (perhaps 400-1200 words) typically includes personal impressions and evaluations of a movie’s content and techniques. A good review may touch superficially on topics that might be explored in more detail in a longer formal analysis. An analysis (perhaps 1200-12,000 words) attempts to determine how the film actually uses various cinematic techniques and elements of film or narrative form to make a viewer react in a certain way and why it makes viewers come away with certain opinions about it." - Quoted by Christopher P Jacobs. Reason as to why this quote was selected because it simply states that it includes personal impressions and evaluations of the film. also how they use editing to add effect to the scene to woo the viewers and emphasise the scene's importance

Facial Expression & Body Language: 

 

As Butterman is on duty, one would expect him to be focused and looking as if he were on a mission, which is exactly what his facial expression reveals. He looks serious and is concentrating on chasing/ catching up with Inspector Frank Butterman and the shop manager. 

 

The way in which Danni Butterman is acting in this scene constrasts as to how he would usually act throughout the whole film.

 

One could conclude this because when anaylsing Danni's persona one can see that he is overly focused - this constrasts with his everyday attitude because throughout the film Edgar Wright had decided to present him as an laid back character who enjoys a little fun, and could also at most points in the film be considered stupid. This therefore shows the audience that there  is a drastic change within the atmosphere and what is going on is something that isn't to be taken lightly - this makes the audience feel a thrill since theynow are able to feel the bar of tension increase.

Setting & Props: 

 

From this medium close up shot, it is hard to identify their surroundings, other that Nicholas Angel and Danni Butterman are in a car with a swan.

 

The swan within the background is used to create a sense of humor in this serious and well focused chase. One can conclude this as serious, by looking at Nick's tightening grip on his gun which he has on the ready to shoot at any given moment.

 

Although, the greenery in the back and the slight pathway behind the swan can suggest that they are on a narrow road.

 

Props used would be the gun in Angel's hand and the swan in the back of the car. Both of these props contrast as the gun symbolises tension and danger, whereas, the swan in the background gives this action scene a sense of comedic purpose.

 

Overall one can conclude when anaylsing this scene that it is indeed tense, and serious.

 

Lighting & Colour: 

 

High key lighting is used, creating a natural and realistic scene; there is no sun therefore, this scene is not used to present a good day, but is possibly showing that something bad will happen, this is also called foreshadowing.

Positioning of characters/objects within the frame:

 

Neither of the characters are central to the frame, indicating both have significance in the scene's action.

 

Objects which are easy to idenify in this scence is the gun of which Nick is holding. As well as the watch on Danni's wrist - reasons as to why the watch holds significance in this scene is because it links towards the chase as though to say 'that they don't have much time.'

 

 

Costume, Hair & Make Up:

 

Both Angel and Butterman are in their police uniform, this shows the audience that they are on duty, and also suggests up coming action. 

 

 

 

Links that can be made:

 

Both the Content and Purpose relate as Hot Fuzz was made to keep the audience entertained, linking with the above Hypodermic Needle Theory where it states "... an all powerful media with uniform and direct effects on the viewer or audience." This links with the Content because if the plot line is not interesting, the audience will automatically realise, thus will choose not to watch the chosen film.

 

This interlinks with the Meaning similar to the way the Content does through the use of Mise-En-Scene and how it is used to show the deeper meaning behind certain scenes. For instance, how Angel uses two guns in the final part of the film to emphasise comedic elements that mimics the ‘American bad boy cop’. The music also builds tension and suspense; the audience at this point will be waiting at the edge of their seats to see if Angel captures the bad guys or not. 

 

 

 

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